There are no specific accessibility features found within Logic Pro but in our testing with what iPadOS 16 offers, we were able to use keyboard shortcuts to select certain features, while using Voice Control to select certain drum beats to add worked great. It’s also important to mention that Accessibility works great in Logic Pro. But by all means, if you want a bigger screen and more power, then the iPad Pro will be the way to go here.īut creatives will want the ease of transferring their projects from an iPad to a Mac, and the other way round, and this will be the big draw here for some, rather than the multi-touch features, and it worked great in our testing. Professional creatives are always looking for bigger screens to work their projects on, but Logic Pro is designed to be multi-touch and fun-first, which is why the iPad mini works so well here. Having said that, it’s an app that clearly wants to help you make great music, or edit podcasts with your hands, and Apple’s team has made sure that this version for iPad will help you achieve your goals. The multi-touch-first interface, with its big, colorful buttons and the ability to resize and shrink almost every menu allows you to make as much progress on a project with a 7.9-inch tablet that a 12.9-inch iPad Pro does. So if you want, Logic Pro can be used on the latest iPad mini, and if you think that’s a waste of time, I’m here to insist that you try it before you judge. Logic Pro works on an iPad with an A12 Bionic and above - so that’s an iPad Air 3rd Generation, an iPad mini 5th generation, and iPad 8th generation and up. It’s telling that Logic Pro isn’t just restricted to the iPad Pro with Apple silicon, like how Final Cut is. It resulted in I, a total novice, composing a track that sounded like a demo for a stage in The Revenge of Shinobi on the SEGA Genesis.īut this is only half the story of what made Logic Pro works well on Mac and now iPad - plugins have been a hot topic since this version was announced, and after some testing, we came back with some interesting results. I would switch between portrait and landscape on the iPad to get a better grip when changing the tempo and pitch to some instruments, and the results kept motivating me to carry on. Sitting in the town center of my hometown working away at my iPad, I couldn’t help but smile and laugh at the random beats my fingers were making. You can even highlight the pitch and edit out samples by dragging your finger across them. Just as in the Mac version, multi-colored icons representing instruments and samples cover track timelines, but now they can be manipulated and moved with your finger. But this is where it gets interesting, as, like Final Cut on iPad that also debuts today, it’s been made with a multi-touch first focus in mind.Įvery menu and feature is selectable and customizable, you can pan around, add instruments, and compose some hippity-hoppity beats all with your fingers – no mouse necessary. Logic Pro begins with an example project featuring a series of drums and samples that you can change to your heart's content, with the main interface remaining largely unchanged from the Mac version.
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